Audio for Helvetica and the New York City Subway System

It is only a taste, but listen to the sound of type meeting track at Although my voice is not as rich as this man’s, the audio snippet—which came as a surprise to me—gives one an idea of what the reading that I did at BookCourt in Brooklyn on March 18 was like.

Helvetica and the New York City Subway System: A Talk by Paul Shaw

Society of Printers Annual Meeting
The Club of Odd Volumes
77 Mt. Vernon Street
Boston, Massachusetts
Wednesday, 4 May 2011
(members only)
The Society of Printers is the oldest graphic arts organization in the United States. I will be speaking on Helvetica and the New York City Subway System at their annual meeting.

Spoonbill and Sugartown, Booksellers

Paul Shaw, author of Helvetica and the New York City Subway System, and Abby Goldstein, book designer, will be appearing for a reading and book signing (with special Subway t-shirts for sale).
Friday, April 8, 2011 at 7pm
Spoonbill and Sugartown
218 Bedford Avenue
Brooklyn, NY
718 387-7322

Pasta, Wine and Serifs

You are invited to an illustrated talk by Alta Price and I about looking for lettering in Italy at the Type Directors Club on Wednesday, March 30 at 6 pm. The evening is free and there will be wine—but no pasta. And some serifs and some sans serifs. If you are curious about the Legacy of Letters tour this is your chance to see what all the fun and fuss is about. We hope to see you there.

You …
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Bodoni Is Not Bodoni: A First-Hand Look at Classical Typefaces

Paul Shaw
Thursday, March 24 and April 7, 2011
5:30–7:30 pm
Rare Book and Manuscript Library, Butler Library, Columbia University
Garamond No. 3 is not Garamont. Bauer Bodoni is not Bodoni. This two-session course is a first-hand exploration into finding out why these statements are true. It is a chance to look at the “real thing”, the sources of classical typefaces up close and in detail. Books printed in the typefaces of Nicolas Jenson, Francesco Griffo, Claude Garamont, Robert Granjon, William Caslon, John Baskerville, …
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