Hamilton Wood Type & Printing Museum Wayzgoose 2011

Hamilton Wood Type & Printing Museum
Wayzgoose 2011
November 4–6Wayzgoose 2011 is coming, and we’re full up! If you’d like to be on a waiting list in the event of a cancellation you can email Jim Moran at jim.moran@woodtype.org Throughout the day Friday, November 4th we’ll be hosting casual demonstrations as part of our open house. Paul Shaw, Stan Nelson, and our very own Mardell Doubek and Norb Brylski will be scribing, cutting and punching type while you tour the museum. …
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Helvetica and the New York City Subway System

The Art Directors Club of Tulsa and the Philbrook Museum of Art present
Helvetica and the New York City Subway System
An illustrated talk by Paul Shaw Thursday, October 20, 2011 There are many strange sights on the New York City subway… but one that has nagged type nerds for decades is the hodgepodge of lettering styles on the signage! Delve into the rich history of the sign system with Paul Shaw—award-winning designer, historian and author of Helvetica and …
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TDC Type Walk: Fort Greene & Clinton Hill, Brooklyn

The fall 2011 TDC type tour will return to the borough of Brooklyn. This time we will explore the neighborhoods of Fort Greene and Clinton Hill. These are brownstone neighborhoods where the lettering excitement is going to come primarily from small businesses along with churches and a few institutions such as Pratt Institute. They have been revived but not completely gentrified so there are still older signs to see.

Paul Shaw Book Talk

South Ferry station (2009)The Skyscraper Museum
39 Battery Place, New York City
6:30 pm, Wednesday, 5 October 2011 Paul Shaw looks at how the subway’s signage system has evolved over the past forty years in his book, Helvetica and the New York City Subway System. The resulting story is more than a tale of a typeface. It is a look at the forces that have molded a signage system.

Tale of a Typeface: Paul Shaw’s “Helvetica and the New York City Subway System”

Porcelain enamel 8th Avenue IND sign (1930s)Transit Museum
Corner of Boerum Place and Schermerhorn Street, Brooklyn Heights
6 pm, Thursday, 22 September 2011 Graphic designer, typographer, calligrapher, and author Paul Shaw—for whom letters and words are everything—will present a new edition of his acclaimed book, Helvetica and the New York City Subway System (The MIT Press). It features additional photos and annotations. The resulting story is more than a tale of a typeface; it’s a look at the …
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TDC2 2012

James Montalbano and I created TDC2, the Type Directors Club Type Design Competition, in 1998. Now, for the first time, I will have the opportunity to be a judge of the competition. I am honored to be part of an august panel that includes Roger Black, Matthew Carter and Erik Spiekermann. Maxim Zhukov is the chairman. The deadline for submission is Friday, 16 December 2011. For more details on TDC2 go to the Type Directors Club website.

WNYC The Leonard Lopate Show

On August 4th, guest host Richard Hake interviewed me on The Leonard Lopate Show on WNYC about my book Helvetica and the New York City Subway System. It’s too late to hear me live, but you still hear me online.

From the Street to the Sky

Taxi stand, Leiden
I gave my talk “From the Street to the Sky” at the Hochschule RheinMain / University of Applied Sciences in Wiesbaden on July 6th for students in the Design Informatik Medien department. The talk was at the invitation of Prof. Gregor Krisztian. “From the Street to the Sky” is a survey of the many places that lettering can be found in the urban environment—from manhole covers in the street to neon signage on the rooftops of buildings. …
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Author @ the Library presents: “Helvetica and the New York City Subway System,” with Paul Shaw

Middletown Road station (no. 6).

Mid-Manhattan Library, New York Public Library
6:30 pm, Monday, 23 May 2011
This visual lecture will show how the signs in the New York City subway system have evolved over the past forty-five years, from the first attempt by Unimark to create a coherent, cohesive and modular system in 1966 to its incarnation today.  The resulting story is more than a tale of a typeface; it is a look at the forces that …
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