Tours & Events
Tours & Events lists all lettering walks, Legacy of Letters tours, public lectures, talks, panel discussions, workshops, calligraphic demonstrations, etc. that I am engaged in.
20 November 2021
The link below is to the video of my talk on “Lettering and Type at Push Pin” for Poster House (via Zoom) on November 16, 2021. There are a few errors in it. Here is the correct information:
• the “Chicago has a great lake” poster by John Massey is shown in an untrimmed state. The white circle at right should bleed. Thanks to Greg D’Onofrio for pointing this out.
• The small type on the cover of Our Crowd is …
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16 July 2020
Ray Tomasso appreciating his print. Legacy of Letters workshop with Alan Kitching (6 July 2015)
It is with sadness that I write this post about Ray Tomasso, letterpress printer and paper sculptor, who died on June 25 of this year. Ray and his wife Diane were both part of Legacy of Letters 2015 and Legacy of Letters 2017, Ray as a participant and Diane as an observer, documentarian, and occasional assistant.
My memories of Ray from those two workshops at the …
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19 May 2020
The Swiss Grid exhibition at Poster House, the new poster museum in New York, opened on February 27. Curator Angela Lippert had asked me to lead a tour of the exhibition for Type Directors Club members on March 23, but it was cancelled Governor Cuomo imposed a lockdown on New York Stare, the week before in response to the coronavirus pandemic. As a substitute Angela and I semi-violated the lockdown on March 17. We met at the deserted …
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18 February 2020
We are pleased to announce the winners of two scholarships for someone under 30 to attend the Legacy of Letters: Tipo Cibo Vino 2020 gastronomic tour and letterpress workshop this summer in Italy. Egor Golovyrin (age 24) from Omsk, Russia is the consensus winner of the Mark Simonson Scholarship and Erica Carras (age 28) from the United States is the winner of the Occupant Fonts half-scholarship.
Egor Golovyrin
“My love of type, letters and printing began at the age of …
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5 December 2019
Learning to set metal type. Day 1 of Tipo Cibo Vino 2019.
Legacy of Letters is pleased to announce that Mark Simonson Studio, a leading font producer based in St. Paul, Minnesota has agreed to sponsor a scholarship (worth $3500) for one person to attend the Tipo Cibo Vino 2020 tour and letterpress workshop in Italy next summer. The scholarship will cover the full cost of the tour/workshop but not travel to or from Italy or meals and …
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3 December 2019
Punches by Giambattista Bodoni. Image courtesy of the Museo Bodoniano, Parma. Photograph by Paul Shaw 2008.
The inaugural edition of Tipo Cibo Vino (Legacy of Letters 2019) this past summer was a resounding success. So much so, that even before it was over, many of the participants were clamoring for Patricia and myself to do another Tipo Cibo Vino in 2020 with Peter Kruty Editions. Although it has taken longer than expected to work out a different (but equally compelling) …
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1 December 2019
The letterpress project for each edition of Legacy of Letters has gotten bolder and more elaborate. In 2010 we spent one day at the Tipoteca. Under the direction of Lucio Passerini we printed a collaborative broadside of our initials in two colors. In 2012 we doubled our printing time. Lucio guided oversaw the making of a collaborative broadside that could be cut and folded into an accordion book. It was printed in three colors. In 2013 Lucio was again our …
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30 November 2019
The one thing we failed to accomplish during Tipo Cibo Vino in Cornuda was binding our printed sheets. In early September Sandro Berra of the Tipoteca shipped them to Peter Kruty Editions in Brooklyn. I then sounded out the Legacy of Letters 2019 participants to find a date when the greatest number of them could come to Brooklyn for a binding bee. We eventually settled on Saturday, October 26.
The day was sunny and cool—perfect autumnal weather. In the early …
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15 September 2019
July 12, 2019 | End of Legacy of Letters 2019 Tipo Cibo Vino
Legacy of Letters has always ended with a celebratory dinner. It was particularly deserving this year following the frenetic push to get the menu book pages printed and scored—and to return all type and type material to its original place and get the Tipoteca cleaned up by 7 pm. Once we had accomplished that we posed for several final group photographs before heading to Le Corderie to celebrate.
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15 September 2019
Prints drying on presses and cabinets in the machinery exhibition room.
July 12, 2019 | Day 4 of the project
Friday was the last day of the letterpress project. It was chaotic and frantic, as it had been with Alan Kitching in 2015 and with Erik Spiekermann in 2017. As in the past, those who finished printing their page early pitched in to help those who were lagging behind. This spirit of cooperation is always one of the most pleasing aspects …
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15 September 2019
From left to right: Lucio, Sandro, and Daniele working on the title page print. In the background, Peter is amused by Lucio’s boundless energy.
July 12, 2019 | Day 4 of the project
Daniele Facchin, Lucio Bottaselle, Leonardo Facchin, and Sandro Berra
Without the assistance of Daniele, Lucio, Leonardo, and Sandro, the printing would never have been completed on time. Daniele and Lucio, the two Tipoteca “technicians”, helped everyone out with typesetting as well as running the presses as they have done …
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15 September 2019
From left to right: Claire, Jason, Lucia, Shaina, and Sara sharing a joke at lunch.
July 11, 2019 | Lunch
The Italian practice of taking a leisurely lunch in the middle of the day and then making up for lost time by working until 7 pm is one that we at Legacy of Letters have embraced during our letterpress workshops. The lunches, whether a simple panini at the cafè across the canalin Crocetto di Montello, as we did in the early …
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15 September 2019
July 11, 2019 | Day 3 of the project
On Thursday, the page designs began to more clearly take shape as additional colors were printed. They continued to evolve as participants discovered the limitations of letterpress in general as well as of the typefaces available at the Tipoteca. There was also the constraint (pressure) of creating a design in a short amount of time. But these obstacles were treated as challenges to be overcome.
Here are some scenes from the day, chosen …
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13 September 2019
Legacy of Letters participants hard at work setting type at the Tipoteca.
Work on the menu project began to speed up on Wednesday as the participants finished up their text type requirement and moved on to the interpretive part of the assignment. The approaches they took were gratifyingly varied. James, Jason, Laura, Lucia and Lucille simply played with typographic forms and color; Shaina and Claire opted for typographic “pictures”; Janine and Emmy incorporated pressure prints into their designs; and Jane …
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6 September 2019
The letterpress project was a bound book (though we failed to get the binding done while at the Tipoteca) composed of designs for each course of an Italian meal: aperitivi (Shaina Pruden), antipasti (Jason Stadnik), vini (Janine Wong), primi piatti (Emmy Yamaguchi), secondi piatti (Lucia McCreery), contorni e insalate (Lucille Tenazas), formaggio (James Stroud), dolci (Jane Pirone), caffè (Claire Lukacs), and digestivi (Laura Thoms). The endpapers were designed by Sayre Gaydos who also came up with the book structure. The …
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6 September 2019
The letterpress workshop was led this year by Peter Kruty and Sayre Gaydos of Peter Kruty Editions, a studio in the Sunset Park part of Brooklyn that specializes in innovative work with contemporary artists and writers. Given their background, this workshop attempted to include illustrations instead of being type-centric. Thus, the first day included an introduction to paper and pressure prints by Peter alongside the standard tutorial in composing metal type by hand.
July 7, 2019 | Composing Type and Making …
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