The Definitive Dwiggins no. 110—Chronology 1781–1879

For over twenty years I have been building a detailed chronology of the life and work of W.A. Dwiggins. It includes not only information about his ancestry, immediate family, life and career, but also about his contemporaries in the design world. This post is the first installment of a distilled version of it.
1781
July 3 1781 Robert Dwiggins born in Guilford County, North Carolina; paternal great-grandfather of WAD.

1785 
July 19 1785 Sarah Dillon born in Guilford County, North Carolina; paternal great-grandmother of WAD.

1789
March 16 …
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From the Bookcase no. 2 addendum—Samuel Bartels

This is an addendum to From the Bookcase no. 2—Spacing in Typography which focused on two books about typography by E.R. Currier and Samuel A. Bartels.
Tailor’s Announcement Contest winners (1916). Samuel Bartels is on the bottom line, second from right.
Before beginning his career as a typographer in New York City, Samuel Bartels was a winner in a 1915 contest sponsored by The American Printer. The Tailor’s Announcement Contest—opened November 20, 1915 and closed March 5, 1916—drew more entries (607) …
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The Definitive Dwiggins no. 101—Martinsville, Ohio

“Welcome to Martinsville” sign on eastern outskirts of town. Photograph by Paul Shaw (2006).
Clinton County. Detail from Topographical Map of Clinton, Fayette, Greene, Pickaway, and Ross Counties (1872).
Martinsville, Ohio. Detail from Map of Clinton County, Ohio by H.E. Walling (1859).
Martinsville, Ohio—the town where W.A. Dwiggins was born in 1880—is in Clark Township, Clinton County. It lies nearly due south of Wilmington, the county seat. In 1889, Henry Howe described it thusly:
Martinsville, on the M. & C. Railroad, …
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The Definitive Dwiggins no. 90—W.A. Dwiggins’ Ancestry, Part III: Moses and Eva Dwiggins

Moses Dwiggins at age 14 (1866). Photograph by Joe Wolfe (Wilmington, Ohio). Courtesy Special Collections, Boston Public Library.
W.A. Dwiggins’ parents were Moses F. and Eva S. Dwiggins.
Moses Frazier Dwiggins was born April 25, 1852 in Clinton County. Like his younger brother James, he worked on the family farm for several years after reaching manhood. [1] And, like his father Zimri, he taught school for a brief period. Clara Dwiggins, wife of Moses’ cousin Charles E. Dwiggins, wrote that “He taught school for …
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The Definitive Dwiggins no. 100—The New Vienna Whiskey War

In the winter of 1873-1874, Dr. Dio Lewis of Boston sparked a series of temperance crusades in the center of Ohio. He lectured on temperance in Hillsboro on December 22 and in Washington Court House three days later. His first lecture “which came down like an electric cloud” fired up Mrs. Eliza J. Thompson who, with seventy-five women from the Hillsboro Presbyterian Church, began the First Crusade on Christmas Eve. That evening, and for several days thereafter, they gathered in prayer at …
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The Definitive Dwiggins no. 85—W.A. Dwiggins’ Ancestry, Part II: Benjamin Y. and Sarah Siegfried

W.A. Dwiggins’ maternal grandparents were Baptists, the Rev. B.Y. Siegfried and his wife Sarah.
Rev. Benjamin Y. Siegfried. From Proceedings of the Seventy-Sixth Anniversary of the Ohio Baptist Convention (Columbus, Ohio: Press of Myers Bros., 1901), p. 33.
Rev. Benjamin Y. Siegfried (c.1868–1871). Photograph by G. Wm. White (Chillicothe, Ohio). Courtesy of Special Collections, Boston Public Library.
The pastor of the First Baptist Church in Wilmington in 1878 was the circuit-riding Rev. Benjamin Young Siegfried. He was born September 25, 1816 in …
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The Definitive Dwiggins no. 83—W.A. Dwiggins’ Ancestry, Part I: Zimri and Phoebe Dwiggins

Zimri Dwiggins (c.1886). Photograph by East End Studios, Stigleman & Son, Richmond, Indiana). Courtesy Special Collections, Boston Public Library.
W.A. Dwiggins’ paternal grandparents were Zimri and Phoebe Dwiggins. [1] Zimri was born July 20, 1827 in Wilmington, Ohio, the county seat of Clinton County, situated midway between Columbus and Cincinnati. [2] “As a young man,” recalled the Wilmington News-Journal, Zimri “taught school in winter and farmed in the summer, and as an older man he devoted himself to farming….” In 1859 he owned …
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The Definitive Dwiggins no. 80—The Society of Calligraphers

The first Society of Calligraphers was formed by Edward Johnston (1872–1944), Eric Gill (1882–1940), Percy Smith (1882–1948), and others in 1907, but by 1910 it had dissolved—possibly due to accusations by Johnston of plagiarism regarding Smith’s portfolio Lettering and Writing (London: B.T. Batsford, 1908). Eventually it was replaced by the London-based Society of Scribes and Illuminators in 1921. Between then and the early 1970s a handful of other groups devoted to the propagation of calligraphy were established: in 1935 the short-lived Cursive Group in …
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The Definitive Dwiggins no. 81—Who Coined the Term “Graphic Design”?

Three and a half years ago I wrote two posts about the origins of the term “graphic design” that debunked the commonly held view that W.A. Dwiggins deserved credit for it: “Graphic Design:” A brief terminological history (June 4, 2014) and  “Graphic Design:” more on the terminology of a profession (June 8, 2014). In them I traced the first use of the term to the California School of Arts and Crafts in 1921, one year before Dwiggins used …
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The Definitive Dwiggins no. 71—Metaphlap-Jerbiam

Metaphlap-Jerbiam “Celebration” (Fiddlestrummings) (1916). Illustration by Hermann Püterschein (pseud. W.A. Dwiggins); calligraphy by W.A. Dwiggins.
Another peculiar bit of Dwigginsiana is Metaphlap-Jerbiam “Celebration” (Fiddlestrummings) (1916), a satirical poem written out calligraphically and illustrated by Dwiggins (in the guise of Hermann Püterschein). It consists of a single sheet of coarse, irregularly-shaped tan paper printed in black. Jerbiam in the title indicates that the poem is the work of John J. Phillips, Jr., who used the pseudonym J.J. Jerbiam in Vague, the magazine that …
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The Definitive Dwiggins no. 72—More about Vague

Among the many items in the 2001 W.A. Dwiggins Collection at the Boston Public Library is a single undated sheet headed “MAXIMS and AXIOMS.” It is signed on the reverse by Hermann Püterschein (the alter ego of W.A. Dwiggins) and there is a pencil note that says “Page from the Notebook of a Modernist.” [1] The text suggests that the sheet is related to Vague no. 7, the satirical magazine that Dwiggins (in the guise of Püterschein), John J. Phillips, Jr., and …
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