Search Results for: cold type

The Definitive Dwiggins no. 223—Cold Type

Cold Type (Boston: S.D. Warren Co., 1925). Cover design probably by W.A. Dwiggins. Image courtesy of Charles Deering McCormick Library of Special Collections, Northwestern University.
Cold Type: A primer on the power of the printed word (Boston: S.D. Warren Co., 1925). Title page design typography by W.A. Dwiggins. Image courtesy of Charles Deering McCormick Library of Special Collections, Northwestern University.
Let’s be Misers with Golden Selling Hours, published in 1925, was the subject of The Definitive Dwiggins no. 222. …
Continue reading

One Hundred [sic] Books [sic] Famous [sic] in [Western] Typography [sic]—A Critique

One Hundred Books Famous in Typography by Jerry Kelly (New York: The Grolier Club, 2021)
This book, with a foreword by Sebastian Carter, accompanies an exhibition held at the Grolier Club from May 12 to July 31, 2021.* The exhibition has been touted by Kelly and the Grolier Club as the seventh in an ongoing series of exhibitions based on the concept of “one hundred books famous in [fill in the blank]”. The first of these, “One Hundred Books Famous in …
Continue reading

The Song of the Twisted: Being a Tale of Woe Told by the Victim

Frank Holme (late 1890s?). Image courtesy of Special Collections, University of Arizona.
In 2015 I discovered an amusing yet fascinating manuscript of doggerel in the Frederic and Bertha Goudy Collection at the Library of Congress. [1] The manuscript, entitled “The Song of the Twisted: Being a Tale of Woe Told by the Victim” was written, lettered, and illustrated by Frank Holme (1868–1904), the celebrated newspaper artist and proprietor of the School of Illustration in Chicago. It tells the story of how Holme …
Continue reading

The Definitive Dwiggins no. 365—Voyages to Vinland (1942)

Voyages to Vinland: The First American Saga translated by Einar Haugen (New York: Alfred A. Knopf, 1942) includes translations of material from Hauk’s Book, the Flatey Book, and AM. 557 (a manuscript in the Arnamagnean Library in Copenhagen) that concern the Viking voyages to the eastern seaboard of the North American continent in the 11th century. [1] The book was designed by W.A. Dwiggins. It is not among his most famous works in the field, though its jacket is included …
Continue reading

The Definitive Dwiggins no. 294—Stories of Our Earth

W.A. Dwiggins was at heart an artist, an illustrator. His posthumous reputation as a type designer, a book designer, and a marionette maker has overshadowed the fact that what he most wanted to do was illustrate books. His work as an illustrator has often been denigrated. One reason is that he had no single, defining style. Instead, he tailored his approach to the perceived needs of the story. An obscure, but excellent example of this are his spare illustrations for Stories …
Continue reading

The Definitive Dwiggins no. 335—The Pageant of Color: Old Hampshire Bond

The Hampshire Paper Co. was established in South Hadley Falls, Massachusetts in 1866. Its signature paper was Old Hampshire Bond, first manufactured around 1889. [1] Off and on between 1912 and 1925 W.A. Dwiggins did promotional work for the company and its leading paper stock. The earliest instance occurred at the end of 1912 and the beginning of 1923 when he designed the cover of a booklet titled “Backing Up Your Salesman”. Instead of working directly with Hampshire Paper, he received the …
Continue reading

The Definitive Dwiggins No. 222—Let’s be Misers with Golden Selling Hours

Let’s be Misers with Golden Selling Hours (Boston: S.D. Warren Co., 1925). Cover illustration probably by W.A. Dwiggins.
One of the areas of W.A. Dwiggins’ career which is significantly underreported in W.A. Dwiggins: A Life in Design by Bruce Kennett (San Francisco: Letterform Archive, 2018) is his work for the paper industry and individual paper companies between 1914 and 1936. [1] Based on his surviving account books Dwiggins did at least one job for as many as 37 different paper …
Continue reading

The Definitive Dwiggins no. 87—Happyland

The Young Idea: A Magazine of Character Study, Questions of the Hour, Field Work in Botany, Birds and Insects. Sample page from 1905.
The Round Robin: An Illustrated Magazine; Good Reading for Boys & Girls vol. XXVI, no. IV (April 1913). Cover design signed WV.
From The Young Idea to Happyland
At the beginning of 1913 Lawrence A. Rankin (1887–1955) took over The Young Idea, a monthly children’s magazine which had been in existence for twenty-five years. He renamed it The …
Continue reading

The Definitive Dwiggins no. 116—The End of Childhood (1890–1895)

Wanderings
The unexpected death of Moses Dwiggins in January 1890 left his widow Eva, and their young son Willie, adrift in the world. Without her soulmate and source of livelihood, Eva stumbled about for the next five years, trying to achieve a stable life. Willie, only 9 1/2 years old at the time of his father’s death, was old enough to understand his mother’s grief, but too young to be able to do much about it.

This post is the next installment …
Continue reading

The Definitive Dwiggins no. 105—Addendum to W.A. Dwiggins’ Ancestry, Part III: Moses and Eva Dwiggins

Five artifacts associated with Moses and Eva Dwiggins survive in the W.A. Dwiggins Collections at the Boston Public Library: two programs for theatrical events, one each involving Moses and Eva, their marriage license, a certificate for Moses as a medical examiner for an insurance company, and a book entitled Living Poems. [1] All are of interest beyond their use as documentation of W.A. Dwiggins’ parents’ lives. [2] They are fascinating for their design and typography which is typical of the …
Continue reading

The Definitive Dwiggins no. 69—Vague

Vague no. 7 (1915) is probably the strangest project that W.A. Dwiggins ever worked on. It is a hilarious satire of the avant-garde art and literature of its time with a few jabs at advertising along the way. But, true to its name, it is not easy to recognize all of its allusions or to understand all of its jokes.
Vague no. 7 front with belly-band (1915). Design by W.A. Dwiggins.
Vague was published in the spring of 1915 by J.J. …
Continue reading

Paper Is Part of the Picture no. 13—”Paper Is Part of the Picture”

This is one in a series of blog posts accompanying Paper Is Part of the Picture: Strathmore Paper and the Evolution of American Graphic Design 1892–2017, an exhibition that I have curated at The Opalka Gallery of The Sage Colleges in Albany, New York. The exhibition runs from October 3 to December 15, 2017.
Paper Is Part of the Picture (Strathmore Paper Co., 1921). Photograph by Vincent Giordano.
Strathmore’s search for a memorable slogan—see Paper Is Part of the Picture …
Continue reading

The Definitive Dwiggins no. 67—Drawings that Sell Goods

In the spring of this year I traveled to Boston to hear Bruce Kennett deliver the annual W.A. Dwiggins Lecture at the Boston Public Library. It was a good talk. Although there were a few mistakes, I learned some new things about Dwiggins. One of them was that Dwiggins had parodied three of his contemporaries in an article he had written (under the name of his alter ego) about illustrations in  advertising. I had read  “Drawings that Sell Goods” by …
Continue reading

Legacy of Letters 2016—Cibo part 1

Click here for more information on Legacy of Letters 2016.
With the theme of the 2016 Legacy of Letters workshop being Tipo Cibo Vino (Type Food Wine) here are a few photographs of “cibo” from past Legacy of Letters tours.
Photograph by Paul Shaw 2013.
Food is everywhere in Italy, in the streets as well as in the ristoranti, trattorie, and osterie. These first two photographs are from vegetable and fruit markets in Venice and the third is of some octopus …
Continue reading

Blue Pencil no. 42—The Phaidon Archive of Graphic Design: Contents

Since Phaidon failed to include a table of contents in the booklet accompanying The Phaidon Archive of Graphic Design (London: Phaidon Press Limited and New York: Phaidon Press, Inc., 2012), I have decided to perform that public service for those who have bought the box. I have listed the cards in ID order as they appear in the box when shipped. For each ID number I have indicated the title, designer and date of the item as rendered by Phaidon. I have …
Continue reading

Blue Pencil no. 29—The Phaidon Archive of Graphic Design: booklet

The Phaidon Archive of Graphic Design
(London: Phaidon Press Limited and New York: Phaidon Press, Inc., 2012)
Commissioning editor: Emilia Terragni
Project editors: Alanna Fitzpatrick, Andrew Ruff and Davina Thackara
BOOKLET
Authors [inside front page]
There are no authors listed for A015 Life and Opinions of Tristram Shandy, F001 George Bernard Shaw Series, F052 Mercedes-Benz, and K005 Expo 85. Multiple authors are listed for E005 Chanel (Amelia Black and Riikka Kuittinen), E006 Bauhaus Programmes (Sony Devabhktunil, David Hyde, Paul Shaw and Graham Twemlow), E028  The New Yorker (Jody Boehnert and Ina Saltz), E037 Depero Futurista (Davina Thackara and Richard Weston), E062 Vogue (Véronique Vienne and Zoe Whitley), and G016 Herman …
Continue reading

  • Page 1 of 2
  • 1
  • 2
  • >