Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Legacy of Letters

Scholarships for Tipo Cibo Vino 2020

We are pleased to announce the winners of two scholarships for someone under 30 to attend the Legacy of Letters: Tipo Cibo Vino 2020 gastronomic tour and letterpress workshop this summer in Italy. Egor Golovyrin (age 24) from Omsk, Russia is the consensus winner of the Mark Simonson Scholarship and Erica Carras (age 28) from the United States is the winner of the Occupant Fonts half-scholarship.
Egor Golovyrin
“My love of type, letters and printing began at the age of …
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Blue Pencil

The Definitive Dwiggins no. 204—Streets in the Moon

Binding of Streets in the Moon by Archibald MacLeish (Boston and New York: Houghton Mifflin Company, 1926). Decoration, lettering, and design by W.A. Dwiggins.
“Didn’t you like the drawing,” Maurice Firuski, owner of the Dunster House Bookshop, asked Elmer Adler of Pynson Printers, “and especially the ornament by Dwiggins?” What prompted Firuski’s question was his decision to buy up the entire large paper edition of Streets in the Moon by Archibald MacLeish from the publisher Houghton Mifflin Company. [1] For the …
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Blue Pencil

The Definitive Dwiggins no. 156—Nobodaddy

Cover of the regular edition of Nobodaddy by Archibald MacLeish (Cambridge, Massachusetts: Dunster House, 1926). Decoration by W.A. Dwiggins; design by Elmer Adler; printing by Pynson Printers.
For Nobodaddy: A Play by Archibald MacLeish (Cambridge, Massachusetts: Dunster House, 1926) W.A. Dwiggins designed a cover and a title page. [1] The work is not among his most important, but it is among the best documented. It was also a short assignment. [2] That makes it ideal for a detailed chronological account that …
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