Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

The Definitive Dwiggins

The Definitive Dwiggins no. 800—A typeface named Mrs. Hoyle

Mário Feliciano of Feliciano Type has announced a new typeface called Mrs. Hoyle, inspired by the Caslon-ish lettering that W.A. Dwiggins did in the 1920s and early 1930s and named after his wife.  While it is nice to see Mabel Dwiggins (1881–1968) get some public recognition, naming a typeface Mrs. Hoyle is not the proper way to do it. She was born Mabel Hoyle and grew up as Miss Hoyle. Once she married Will Dwiggins (the name he …
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Letterforms Study Group

Cancelled—Moderni Interpretazione di Corsivo Inglese in Caratteri

Moderni Interpretazione di Corsivo Inglese in Caratteri
The 2026 Letterforms Study Group letterpress workshop devoted to modern scripts has been cancelled. Plans for a letterpress workshop with master printer Richard Ardagh at the Tipoteca in the summer of 2027 are in the works and will be announced soon. Meanwhile, Riccardo De Franceschi and I will be at the Tipoteca this fall to continue our deep research into script types. If anyone would like to take part in this research project …
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Letterforms Study Group

Tipoteca 2026 news: Type Archived by Richard Ardagh

Fat Face G punch from Type Archived: A visual journey through typographic history by Richard Ardagh (London: Volume, 2015), p. 44. The punch comes from the Stephenson Blake Collection.
Richard Ardagh, the master printer for Tipoteca 2026, has written and designed a book richly documenting the history and demise of the Type Archive, Sue Shaw’s* valiant effort to preserve the physical history of British typefounding and wood type manufacture. His funding campaign was successful and the book is now …
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