Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Blue Pencil

The Definitive Dwiggins no. 204—Streets in the Moon

Binding of Streets in the Moon by Archibald MacLeish (Boston and New York: Houghton Mifflin Company, 1926). Decoration, lettering, and design by W.A. Dwiggins.
“Didn’t you like the drawing,” Maurice Firuski, owner of the Dunster House Bookshop, asked Elmer Adler of Pynson Printers, “and especially the ornament by Dwiggins?” What prompted Firuski’s question was his decision to buy up the entire large paper edition of Streets in the Moon by Archibald MacLeish from the publisher Houghton Mifflin Company. [1] For the …
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The Definitive Dwiggins no. 156—Nobodaddy

Cover of the regular edition of Nobodaddy by Archibald MacLeish (Cambridge, Massachusetts: Dunster House, 1926). Decoration by W.A. Dwiggins; design by Elmer Adler; printing by Pynson Printers.
For Nobodaddy: A Play by Archibald MacLeish (Cambridge, Massachusetts: Dunster House, 1926) W.A. Dwiggins designed a cover and a title page. [1] The work is not among his most important, but it is among the best documented. It was also a short assignment. [2] That makes it ideal for a detailed chronological account that …
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The Definitive Dwiggins no. 173—The Hound & Horn

Cover of The Hound & Horn: A Harvard Miscellany (Spring 1929). Design and illustration by Rockwell kent.
The Hound & Horn: A Harvard Miscellany began life in 1927 as a literary quarterly dedicated to life at Harvard University with contributions by its students and alumni. The magazine was founded (and funded) by Lincoln Kirstein (1907–1996) and Varian Fry (1907–1967). The subtitle A Harvard Miscellany was dropped in 1929 when Kirstein prevailed over Fry in a dispute over whether …
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