Flawed Typefaces

What constitutes a flawed typeface? For this article it is defined as a typeface that is perfectly fine—except for one nagging aspect, usually a single character. A flawed typeface is one that either you avoid using entirely because of this lone defect; or one that you use sparingly—and only then, after some alteration of either your design or the face itself to ameliorate the “flaw”. Flawed typefaces are not bad or even mediocre. The whole premise here is that they …
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Stereotype: The Future of Type Design—Kai Bernau & Nikola Djurek

When we think about contemporary type designers there is a tendency to forget that we are now into the third decade of the digital revolution and that the once-young pioneers of the genre—Robert Slimbach, Zuzana Licko, Jonathan Hoefler, Jean-François Porchez, Tobias Frere-Jones, Martin Majoor, et al—are now mature, well-established figures with thriving (we hope) businesses and a raft of fonts under their belts. So, who will shape the future of type design? Here are two accomplished young designers whose typefaces …
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How do you design a great typeface?—A (condensed) interview with Matthew Carter

My recent interview with Matthew Carter for Imprint (Print magazine’s blog) was reprinted—if one can use that term with the Internet—on Salon. Although it is gratifying to see my work picked up by a mainstream media site, it is distressing to see it bungled. All of the images have been laterally compressed. This is a disaster when the subject is type, especially so when typefaces are being compared to one another. To see Carter’s work in its proper aspect ratio go …
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An Interview with Matthew Carter

Last fall the John D. and Catherine T. MacArthur Foundation named Matthew Carter a Foundation Fellow. The so-called “genius grant” simply confirmed what those of us in the small design world already knew. That Carter is one of the most important type designers of the past half-century. Continue reading…

Imprint 6 March 2011

Is There a New Leading Man in Hollywood?

Since the mid-1990s Trajan has been the favored typeface for Hollywood movie advertisements and posters. But within the last two months a small batch of movies have appeared that emphatically reject the respected Roman Imperial capitals. The new face in town is Gotham from Hoefler & Frere-Jones. At the moment it can be found in posters for Hereafter directed by Clint Eastwood and starring Matt Damon, The Tourist starring Johnny Depp and Angelina Jolie, How Do You Know starring Reese Witherspoon, Owen Wilson, and …
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