Designing with Letters in Chicago: the aftermath

January 16–17 · Indiana University / Bloomington, Indiana
My January trip to the Midwest began with a stop in Bloomington, Indiana to visit Paul Brown, Tom Walker and the Department of Art at Indiana University. Tom and Paul had invited me to do a one-day workshop on calligraphic tools. But first Tom took me to the Lilly Library to see manuscripts, incunabula and material accumulated by the Chicago engrosser Coella Ricketts. Tom and librarian Erika Dowell had ordered up a ton …
Continue reading →

Bastard Calligraphy: a workshop

I will be doing a workshop on bâtarde, otherwise known as bastarda, a calligraphic hand that emerged from medieval documents to become a formal style for Books of Hours in northern France, Burgundia and Flanders in the second half of the 15th century. The class will take place over the course of two consecutive Sundays, April 28 and May 5, and is being sponsored by the Society of Scribes, Ltd., the calligraphic society in the New York City metropolitan region. …
Continue reading →

Designing with Letters

In January I will be traveling to the Midwest to teach, first in Bloomington, Indiana and then in Chicago. The workshop at the School of Fine Arts, Indiana University, organized by Paul Brown and Tom Walker, is not yet determined. However, the workshops in Chicago have already been announced. They will both be on the topic of Designing with Letters. The Society of Typographic Arts, in conjunction with the School of Media Arts, Columbia College Chicago, is hosting a one-day …
Continue reading →

Gorey, Huerta and Di Spigna

For New York lettering enthusiasts or those who will be visiting the city this summer there are two unheralded exhibitions that are a must-see.

The first is “Gorey Preserved” at Columbia University’s Rare Book and Manuscript Library (Butler Library, 6th floor, 114th Street and Broadway). It is on display until July 27. The other is “The Tony & Gerry Show” at Pratt Manhattan, GradComD Exhibition Space (144 West 14th Street, 7th floor). It ends August 9.

Edward Gorey (1925–2000) is best …
Continue reading →

Type Americana 2

Type Americana 2, a conference devoted to the history of American type design, will take place May 4–6 at the School of Visual Concepts in Seattle, Washington. It will include talks by Paul F. Gehl, Custodian of the John M. Wing Foundation at the Newberry Library, on Robert Hunter Middleton and Douglas McMurtrie, two of the key figures behind the type design program at Ludlow Typograph; Cathleen A. Baker on the Roycroft career of papermaker and paper historian Dard Hunter; …
Continue reading →

Helvetica and the New York City Subway System in New Paltz

At the invitation of Aleanna Lüthi-Garrecht, Arthur Hoener and Amy Papaelias, professors in the Art Department at SUNY New Paltz, I was invited to speak to their design students on Helvetica and the New York City Subway System on March 7.

Poster design by Aleanna Lüthi-Garrecht

The invitation gave me a great excuse not only to see an old friend (Aleanna and I met on one of the Legacy of Letters tours of Rome in the late 1990s), but to …
Continue reading →

Helvetica and the New York City Subway System passes a milestone

When The MIT Press offered to republish Helvetica and the New York City Subway System they initially planned a print run of 3000 copies. While it was far more than the modest 500 copies that Blue Pencil Editions did originally, it was a standard quantity for design titles. But The MIT Press quickly changed their minds and, to my astonishment, upped the figure to 5000 copies. Their faith in the book, especially that of their executive editor Roger Conover, has …
Continue reading →

New praise for Helvetica and the New York City Subway

Helvetica and the New York City Subway System has been awarded an Honorable Mention at the 2011 American Publishers Award for Professional and Scholarly Excellence (PROSE Award) in the Architecture & Urban Planning category by the Professional and Scholarly Publishing (PSP) Division of the Association of American Publishers (AAP). The PROSE Awards annually recognize the very best in professional and scholarly publishing by bringing attention to distinguished books, journals, and electronic content in over forty categories. Judged by peer publishers, librarians, …
Continue reading →

Codex

I am excited to announce that John Boardley, publisher of the popular website ilovetypography, has asked me to serve as editor of the second issue of his print publication Codex.

Codex: The Journal of Typography (Issue 1, Spring 2011). Front cover.

For those unaware of Codex, its debut issue, published in spring 2011, contains a wonderful mix of material, both high and low, scholarly and popular: a review of the typeface Huronia, a paean to Ottmar Mergenthaler and the Linotype, an …
Continue reading →