Tutorials

Tutorials are instructive comments on various aspects of the practice of calligraphy, lettering and typography. They are based on my experiences as a designer and as a teacher.

The Rchive no. 12—No. 1 in New York

The mosaics in the New York City subway system display a surprisingly subtle variety of letterforms. This is especially evident in the stations along the Broadway/Seventh Avenue line (no. 1) between South Ferry and Times Square that have their names rendered in seriffed letters: Rector Street, Cortlandt Street, Franklin Street, Canal Street, Houston Street, Christopher Street / Sheridan Square, 18th Street, 23rd Street, 28th Street and 34th Street / Pennsylvania Station. An easy way to see these differences is through …
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The Rchive no. 11—two from São Paulo

Metal R on apartment building in São Paulo. Photograph by Paul Shaw (2013).

This R is typical of the lettering style found on São Paulo buildings erected in the 1950s and 1960s. Its light weight and extended proportions distinguish it from the sans serif letters commonly found on American buildings during this period. Was it brought to São Paulo from Italy by Italian architects such as Giancarlo Palanti (1906–1977) and Achillina Bo Bardi (1914–1992)?

Painted R from XEROX sign on store …
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The Rchive no. 9—The Return of the Classical Roman Letter

The New York Life Insurance Company Building (1899; now the New York City Criminal Court Building) was designed by Stephen Hatch but completed by McKim, Mead & White after his death in 1894. The building’s address is affixed to the side in copper letters that have classical Roman overtones not normally found at that time. They are surely the work of McKim, Mead & White rather than Hatch, reflecting the firm’s interest in Beaux Arts architecture with its adoption of …
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The Rchive no. 10—Faux Art Deco

R from Tick Tock Diner, Manhattan. Photograph 16 February 2013.

The neon is real but the Art Deco letter R is not. This is a detail of the word “DINER” from the Tick Tock Diner in Manhattan, kitty corner from Penn Station and Madison Square Garden. It is the New York City outpost of a famous diner in Clifton, New Jersey of the same name.

The original—which I have never seen—is an iconic American diner judging by the many photographs online …
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The Rchive no. 5—The Art Deco Empire

The Empire State Building (1931). Detail of “LAKE ONTARIO” from map of New York State in Fifth Avenue lobby. Photographed 16 February 2013.

The Empire State Building is not only one of the greatest examples of architecture in New York City, but it contains some of the greatest lettering. On the back wall of the Fifth Avenue lobby is a stunning map of New York State (the Empire State) made of marble, steel and bronze. The lettering of cities, rivers, …
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The Rchive no. 6—Stencil

R from unknown storefont on the south side of West 34th Street between 5th and 6th Avenues, Manhattan, New York. Photographed 16 February 2013.

I stupidly photographed this R in the entryway to a store without recording its name. It is Times Roman but the stencil effect, coupled with the light (only visible in the stem), takes it out of the mundane. Who knew Times Roman could be so alluring?

The Rchive no. 7—the Industrial R (Sans serif division)

Hercules Seating Company, 25–45 Park Place, Manhattan, New York. Photographed 15 February 2013.

The Hercules Seating Company appears to be closed. That does not bode well for its lovely mid-century sans serif sign. The letters are typical of the interwar sans that inspired Hoefler & Frere-Jones’ wildly popular Gotham typeface. What is different about the Hercules Seating Company letters from the many other examples of “Gotham” sans serifs found throughout the five boroughs is the rounded faceting that is more …
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The Rchive no. 8—the Industrial R (Serif division)

The Oltarsh Building, 418 Broadway, Manhattan, New York City. Detail. Photographed 3 February 2008.

The Oltarsh Building was built by David M. Oltarsh as the Major Theatre in 1927. It is a three-story brick building with capital letters spelling out “THE OLTARSH BUILDING” affixed to the facade between the third story and the roof.

This R has the same industrial proportions as the one in The Rchive no. 7. But now there is a contrast of thick/thin to the strokes coupled …
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Legacy of Letters 2013 profile—Tony Di Spigna

Tony Di Spigna has been creating gems of Spencerian script—his term for drawn lettering derived from roundhand and other forms of pointed-pen writing—for over forty years. He learned the skill from Tom Carnase while working for Herb Lubalin & Associates, though I believe he has surpassed his mentor. There are two things that have always impressed me the most about Tony’s Spencerian script: 1. the gracefulness and naturalness of his curves; and 2. his ability to make compositions that hold …
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The Rchive no. 4—more neon

Neon R from RESTAURANT (Tom’s Restaurant, 2880 Broadway, New York City), 1957.

This lovely neon R is the second one from Tom’s Restaurant in Morningside Heights, made famous by the sitcom Seinfeld. It can be found on p. 116 of New York Neon by Tom Rinaldi (mentioned in The Rchive no. 3) as well as on his neon blog. Rinaldi says that it was originally manufactured for the Columbia Restaurant, but does not indicate when it changed hands. Unlike the …
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The Rchive no. 3—Neon

Neon R from LIQUORS (Riverside Liquor, 2746 Broadway, New York City), 1955

It has been far too long since I added an image to the Rchive. This neon R from the Manhattan Valley neighborhood of New York City dates from 1955 according to the authoritative New York Neon by Thomas Rinaldi (W.W. Norton & Company, 2012; p. 104). Liquor stores are one of the best places to see neon signs. But most are predictable: sans serif in the interwar manner …
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Blue Pencil no. 19—Lettering by Andrew Haslam

Lettering: A Reference Manual of Techniques
Andrew Haslam
with photographs by Daniel Alexander
London: Laurance King Publishing, 2011

produced by Central Saint Martins Book Creation

design and diagrams by Andrew Haslam
jacket design by Jason Ribeiro based on an idea by Andrew Haslam
senior editor: Peter Jones
picture research: Suzanne Doolin and Andrew Haslam
copy editor: Melanie Walker

240 pp.
hardcover with jacket
8.25 x 10.625
full color photographs

Jacket for Lettering; design by Jason Ribeiro based on an idea by Andrew Haslam

This dissection of Lettering includes an assessment of each of the …
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