With the release of Metro Nova by Toshi Omagari in 2013, there has been renewed interest in Metro by W.A. Dwiggins. And with that renewed interest has come misinformation.
Fonts.com has a brief history of Metro’s origins that manages to garble the facts, most of which are well-known. Here is their text:
One day in the late 1920s, C. H. Griffiths, who was responsible for typographic development at Mergenthaler Linotype at the time, read a magazine article bemoaning the lack …