Standard Deviations: Types and Families in Contemporary Design
When the Museum of Modern Art decided, at the beginning of this year, to expand its purview and include typefaces among the artifacts of modern design it collects, it was a moment of celebration not only among the type designers whose works were selected but among all of us in the design community who care about type. The notion that a museum of art, especially one as august as MoMA, rather than a museum of history or technology had stooped to recognize type design as a culturally significant activity was thrilling. However, the feeling of elation quickly gave way to puzzlement over the specific fonts that were chosen and the multiple rationales proffered for their inclusion. Click here to read more.