Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Tours & Events

Typefaces vs. alphabets: The case of a parochial school in the Bronx

Cover of The Speedball Text Book: Lettering and Poster Design for Pen and Brush (14th edition) by Ross F. George (Camden, New Jersey: C. Howard Hunt Pen Co., 1941). Courtey of Lee Littlewood.
On April 17 I led a lettering walk for the Type Directors Club in several north Bronx neighborhoods: Norwood, Williamsbridge, Wakefield and Woodlawn Heights. In Williamsbridge we looked at the lettering on the facade of Immaculate Conception Church on Gun Hill Road (at Holland Avenue). The name …
Continue reading

Blue Pencil

The Definitive Dwiggins no. 28 addendum—The Humanists’ Library

Front of circular for The Humanists’ Library, first series (1907). Printed by The Merrymount Press. Image courtesy of Barry Snider.
Who designed the frames used on the front of the Humanists’ Library circulars? The first circular was issued in the spring of 1907. The frame is not signed. However, there is solid documentary evidence that, despite its precise, mechanical appearance it is the work of W.A. Dwiggins. His account book for January 4 of that year includes this entry: “Redrawing …
Continue reading

Blue Pencil

The Definitive Dwiggins no. 24—Talks on Dwiggins

For the past decade I have been giving talks on W.A. Dwiggins as a means of spreading the discoveries I have made about his life and career while my magnum opus remains in gestation. Below is a chronological list of the talks I have already given, including some in which Dwiggins is a player but not the main subject. They cover a wide range of topics since Dwiggins had a multi-faceted career. There are many other topics* that I have …
Continue reading