Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Tours & Events

Monumental Design: Lettering in Green-Wood

I will be doing a lettering walk at historic Green-Wood Cemetery in Brooklyn on Sunday, September 14 from 1 to 3 pm. For details and to reserve a place click on the link above. Although I have often included cemeteries in my various lettering tours, this will be the first time that I have done an exclusive cemetery walk.
18th century tombstone for Maria Heuys Boerum, Green-Wood Cemetery. Photograph by Paul Shaw (2014).
Although the cemetery was established in 1838, …
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Blue Pencil

Blue Pencil no. 22 addendum—The Mystery of Monotype Melior

Since August 11 Jerry Kelly has sent me several emails with suggestions for additions to the list of Hermann Zapf’s typefaces I posted as Blue Pencil no. 22. He has especially been persistent about a Monotype version of Melior, though he has been unable to provide much information about it. Initially he simply said that Pat Taylor (1930–2012), owner of Out of Sorts Press & Letter Foundry & Press, offered the face in the 1980s. More recently, he has …
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Blue Pencil

The Definitive Dwiggins no. 1—A Year (and Counting) of Dwiggins Mania

“Publicity: How to harness bill-board power with International Covers” advertising insert in Direct Advertising (vol. VII, no. 2). Design, illustration and lettering by W.A. Dwiggins, 1920.
I have been studying William Addison Dwiggins (1880–1956) for over three and a half decades. Interest in his life and work was at an ebb when I began my research in 1978, but it began to pick up in the mid-1980s and has steadily grown since. A watershed moment was 2006, the year that …
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