Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

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The Definitive Dwiggins no. 3 addendum to the addendum—Memento of a Catalogue Clinic, 1917

In the addendum to The Definitive Dwiggins no. 3 post I included “Memento of a Catalogue Clinic”, a drawing that W.A. Dwiggins (under his alias of Hermann Püterschein) made in 1917 as a keepsake for The Society of Printers. It is one of the Society’s most famous pieces of ephemera and there has always been curiosity as to who the various people are. The reproduction of it in The Printing Art simply referred to those present as “leading members of the Society.” [1] …
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The Definitive Dwiggins no. 3 addendum—Who was Charles Fulton Whitmarsh?

In The Definitive Dwiggins no. 3 post I included one (possibly two) uncredited designs by W.A. Dwiggins reproduced on a page of “trade-marks” from Applied Art by Pedro J. Lemos (1920), a book I stumbled across earlier this year while in the Bay Area to do research at the Letterform Archive. But I found the book while rummaging around at Black Oak Books in Berkeley with Stephen Coles. The title caught my eye as I am constantly trying …
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The Definitive Dwiggins no. 3—My Long Pursuit of WAD 1978–1980

Within a month or two of moving to New York  I joined several groups in New York dedicated to calligraphy, typography, printing and the book arts: the Society of Scribes, Ltd., the American Printing History Association and the Typophiles. At a meeting of one of the two latter organizations I met Susan Otis Thompson (1931–2008), a professor in the now defunct School of Library Service at Columbia University, who told me—much to my consternation—that she had just completed a book on …
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