Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Blue Pencil

The Rchive no. 12—No. 1 in New York

The mosaics in the New York City subway system display a surprisingly subtle variety of letterforms. This is especially evident in the stations along the Broadway/Seventh Avenue line (no. 1) between South Ferry and Times Square that have their names rendered in seriffed letters: Rector Street, Cortlandt Street, Franklin Street, Canal Street, Houston Street, Christopher Street / Sheridan Square, 18th Street, 23rd Street, 28th Street and 34th Street / Pennsylvania Station. An easy way to see these differences is through …
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Blue Pencil

The Rchive no. 11—two from São Paulo

Metal R on apartment building in São Paulo. Photograph by Paul Shaw (2013).

This R is typical of the lettering style found on São Paulo buildings erected in the 1950s and 1960s. Its light weight and extended proportions distinguish it from the sans serif letters commonly found on American buildings during this period. Was it brought to São Paulo from Italy by Italian architects such as Giancarlo Palanti (1906–1977) and Achillina Bo Bardi (1914–1992)?

Painted R from XEROX sign on store …
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Blue Pencil

An addendum to Print: The Color Issue—George F. Nesbitt 1841

Here is a short visual addendum to the current Stereotype column in Print co-written by Stephen Coles and I that focused on chromatic typefaces. These are two pages from Nesbitt’s Fourth Specimen of Machinery Cut Wood Type “manufactured and for sale by George F. Nesbitt, Tontine Building, New-York” (1841).  The specimen book is very short and all of its samples are, like those shown here, two-color decorative typefaces. Some are in red and black while others are in red and blue. …
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