Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

Blue Pencil

The Definitive Dwiggins no. 53—Harper’s Magazine continued

W.A. Dwiggins’ work for Harper’s Magazine did not end with the appearance of tailpiece no. 7 in the August 1926 issue. In the November 1930 issue a new series of decorative elements—headpieces, tailpieces and column frames—began to appear. They are abstract rather than pictorial or floral like the first series. Although there is no documentation about their origin, I have some speculative ideas about how they came to be.
At the time that Dwiggins was redesigning Harper’s Magazine in 1925 a …
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Junk Type

Cover of Junk Type by Bill Rose (New York: Universe Books, 2016).
Junk Type: Typography · Lettering · Badges · Logos
captured by Bill Rose
New York: Universe Books, 2016
Note: I was recently asked by Gregory Cerio, editor of The Magazine Antiques to review Junk Type. Gregory decided that the review I had submitted was not right for his audience and, after several discussions about how to revise it, we mutually agreed to cancel it entirely. He then very kindly suggested that …
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The Definitive Dwiggins No. 51—What Is the West?

Between early 1907 and the end of 1912 W.A. Dwiggins did roughly 75 jobs for either G. Schirmer or its affiliate the Boston Music Co. through The Merrymount Press and its proprietor Daniel Berkeley Updike. [1] The great majority were done in 1909, including the subject of this post: From the West: Symphonic Poem for the Organ (Op. 60) by Edwin H. Lemare (New York: G. Schirmer and Boston: Boston Music Co., 1909).
From the West: Symphonic Poem for the …
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