Sign for Savoy Taylors Guild Ltd., The Strand, London (c.1906).

Sgraffito on a wall in the Giudecca section of Venice.

Detail of a neon sign for a barbershop in Grottaferrata, Italy.

Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

Capital E and G stencils from collection of Eric Kindel, Reading, England.

Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

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The Definitive Dwiggins no. 39—The Cambridge City Bakery

“The Staff of Life” advertisement for The Cambridge City Bakery. From Frederic Goudy by D.J.R. Bruckner (New York: Harry N. Abrams, Publisher, 1990), p.48.
In his biography of Frederic W. Goudy, D.J.R. Bruckner shows the above image on p. 48 with the caption, “Advertisement for the [sic] Cambridge City Bakery designed by Goudy. This claim, for which Bruckner provides no documentation, has bothered me ever since the book was published. How did Goudy come to design the advertisement and when …
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The Definitive Dwiggins no. 38—Alvin Lustig and W.A. Dwiggins

The 1950 Fifty Books of the Year competition held by the American Institute of Graphic Arts (AIGA) did not include a single book published by the publisher Alfred A. Knopf. This was the first time that had happened in the history of the competition. Knopf was not happy. He apparently complained to W.A. Dwiggins who responded with this note:
The whole art of book designer has been shaken loose from its foundations—there is not doubt about that.
It’s the work of these …
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The Definitive Dwiggins no. 37—The Mystery of the Printing Press

In W.A. Dwiggins’ account book for 1914 there is this entry: “JUNE / 1 PM MP redraw press salt } 20 00″ Translated it says that he redrew a printing press, using a salt print as a guide, for the Merrymount Press and was paid $20 for his efforts. This is confirmed twice in his carbons. There is one dated 1 June 1914 that explicitly says, ”Merrymount Press / Redrawing printing press 20 00″ with payment made on June 20 of …
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